" I use SMODE to build out a full show timeline of shot compositions in our all-digital-scenography virtual production performance of Peter Pan. The workflow combines video assets, FBX camera solve data, and Notch modifier blocks, feeding into a painted, lit, animated, and live comping 3D Notch and Unreal worlds. "

" The complexity of the Angèle 95 tour project and the encoding time constraints logically turned us to SMODE. We choose to compose loops and different layers in real-time with SMODE in order to keep control and be reactive if the musical structures change. This allows us to work in tandem with the graphic designers, and to build a common show. "

" We were looking for a real-time graphics solution that would unify several needs and innovate in media production for the RTBF universal control room. From set dressing with multiple video screens, LED arrays, augmented reality and virtual studios, SMODE allows us to have a new creative, efficient and immediate approach. "