95 Tour - Angèle

Un show à l'américaine dopée par le logiciel de compositing en temps réel et un encodage ultra-flexible

Angèle (Van Laeken) is a Belgian singer-songwriter and musician. Angèle's show mixes choreography and American-style visuals, inspired by Beyoncé's style of American shows. Her new tour includes about forty dates between 2022 and 2023 in France, Belgium and Canada.

The number of expected spectators for this tour reaches 400 000.

Angèle (Van Laeken) is a Belgian singer-songwriter and musician. Angèle's show mixes choreography and American-style visuals, inspired by Beyoncé's style of American shows. Her new tour includes about forty dates between 2022 and 2023 in France, Belgium and Canada.

The number of expected spectators for this tour reaches 400 000.

Romain Fior
Opérateur vidéo

"La complexité du projet Angèle 95 tour et les contraintes de temps en encodage nous ont logiquement tournés vers Smode. Nous nous devons d’être réactif quand aux changements de structures musicales meme dans les périodes de résidences et répétitions. Nous choisissons de recomposer des boucles ou couches différentes avec certain mode de fusion dans Smode afin de garder la main et être réactif si les structures musicales changent. Cela nous permet de travailler de paire avec les graphistes, et de construire un show commun."

95 Tour - Angèle
Romain Fior
Opérateur vidéo

"La complexité du projet Angèle 95 tour et les contraintes de temps en encodage nous ont logiquement tournés vers Smode. Nous nous devons d’être réactif quand aux changements de structures musicales meme dans les périodes de résidences et répétitions. Nous choisissons de recomposer des boucles ou couches différentes avec certain mode de fusion dans Smode afin de garder la main et être réactif si les structures musicales changent. Cela nous permet de travailler de paire avec les graphistes, et de construire un show commun."

"We asked content designers to provide separate image or video files for the different 3D passes, in order to be able recomposing them in SMODE. This enabled to work on the timeline by writing a musical structure and visually supporting the complete musical structure. This saves us a lot of time and especially allows us to work in front of house. We better understand the layout of our scenes as well as the sizes and positions of the different graphic assets composing the final result."

Romain Fior, Senior video operator

"We asked content designers to provide separate image or video files for the different 3D passes, in order to be able recomposing them in SMODE. This enabled to work on the timeline by writing a musical structure and visually supporting the complete musical structure. This saves us a lot of time and especially allows us to work in front of house. We better understand the layout of our scenes as well as the sizes and positions of the different graphic assets composing the final result."

Romain Fior, Senior video operator

95 Tour - Angèle
95 Tour - Angèle

To allow a show with striking visuals, the stage is equipped by Alabama Media with several giant LED screens, as well as a huge canvas of 20 meters base and 8.5 high for a projection DUAL 2 048 x 870 pixels in high resolution.

The 6 LED screens arranged on the stage, side garden and court of 20M2, Top of 8M2, central of 21M2, Flip flap of 9M2 and bottom of 8M2, allow different compositions by possibilities of tilt, translation and rotation.

2 SMODE media servers (one of which is a backup) ensure the playback of the visuals.

95 Tour - Angèle

To allow a show with striking visuals, the stage is equipped by Alabama Media with several giant LED screens, as well as a huge canvas of 20 meters base and 8.5 high for a projection DUAL 2 048 x 870 pixels in high resolution.

The 6 LED screens arranged on the stage, side garden and court of 20M2, Top of 8M2, central of 21M2, Flip flap of 9M2 and bottom of 8M2, allow different compositions by possibilities of tilt, translation and rotation.

2 SMODE media servers (one of which is a backup) ensure the playback of the visuals.

Credits:

Credits: